All I could think after watching this adaptation of the fictionalised account of the true story that didn’t really inspire the book of Moby Dick (despite the claims of the film), but was possibly used for part of the research (not in the manner presented though) was that they would have been better off adapting Moby Dick for the big screen again as it would have made for a better tale.
The film has a decent pedigree, with a strong cast such as Chris Hemsworth, Cillian Murphy, Brendan Gleeson, and Ben Whishaw amongst others, and a usually solid director in the form of Ron Howard. The tale itself is of the ship named Essex, a whaling vessel that was lost at sea in 1820. The tale of the sinking was officially reported as having run aground, but survivors of the wreck tell a different story. The film bookends the main story by having Herman Melville (Ben Whishaw) visiting one survivor, Tom Nickerson (Brendan Gleeson), to obtain his story in order to give him the inspiration to write his next novel, Moby Dick. The tale recounted to the writer is one of determination and obsession in hunting whales, which leads the Essex out to disaster when a giant white whale sinks the ship. The survivors are left stranded at sea, and must make terrible decisions in order to survive.
However, despite the pedigree, the film just fails to make any impact. Yes, the cast are well placed, and Howard’s direction is as visually striking as you would expect from the director, but the story is weak, and doesn’t have the grandeur that it thinks it has. The historical accuracy issues aside (and embellishment of scenes for dramatical effect), there just isn’t enough depth to the characters, nor any real tension, to make this anything more than an average experience. It’s a shame that so many aspect that would have added to the film are dropped rapidly, such as the initial antagonistic relationship between Hemsworth’s First Mate, and Benjamin Walker’s Captain which just fizzles out early into the voyage. As do any signs of potential unrest in the crew, which are thrown aside as a passing reference, as opposed to actually making us believe the crew may be ready to mutiny. Yes, I get that some of that would have meant embellishing the tale more, but given the film has already taken many liberties, why not at least take some to give the tale a bit of bite? As commented in the opening paragraph, Melville’s tale of drive, determination, and obsessive revenge would have made a better adaptation for the big screen, whilst this feels more like a History Channel movie of the week.
In the Heart of the Sea isn’t a bad film, it just isn’t one likely to make any waves at the box office, and is unlikely to have any lasting impact on audiences who view it. Oh, and it in no way, shape or form needed a 3D release!