A long time ago in a galaxy far, far away… or more precisely over three and a half decades ago in a cinema in another town, a film came along which had a huge impact on the mind of a young 4 year old. The experience of that film made a lasting impression, introducing him to the majesty of films, the joy of space set adventure, and the galaxy of Star Wars. Decades later, the love affair with the franchise has wavered a slight bit. Yes, the love for the originals (untainted versions) is still as strong as ever, and the expanded universe of books and comics (and the occasional video game) has maintained the thrill, but a trilogy of prequels came and tainted any excitement for future instalments. So it was that, even after an impressive trailer campaign, I entered the screening of the new film, The Force Awakens, with a degree of trepidation. I’d been stung too many times, so wasn’t going to get too excited.
As the end credits played, I was that 4 year old kid once more, wanting to see the wonders on screen again, and desperately wanting to collect the toys and models that tie into the film!
Star Wars: The Force Awakens is the first of a new trilogy in the ‘core’ series (there will be other films set within the Star Wars universe, but they will be spin-offs, not forming the basis of the core tale), and it comes in the wake of the sale of the franchise to Disney. Sadly, this does mean no 20th Century Fox fanfare before the opening titles, but that’s only a minor disappointment. Director JJ Abrams, who in recent times has re-invigorated the Star Trek franchise (which he was criticised for making it feel too much like Star Wars), as a long term fan of the series, was a strong choice for the job. As the pieces were pulled together, excitement in the fan community began to build. Old cast were returning, whilst a new batch of fresh faces were being unveiled for the new chapter in the tale. Most importantly of all, throughout the whole trailer campaign nobody could really work out what the story was going to be about, and I’m not about to spoil it here. All I will say is that the opening scroll is a much better read than stuff about ‘trade negotiation’ and ‘political disputes’.
So, if I’m not going to talk about the plot, let’s look at the players. Obviously the return of Han, Leia, Chewbacca, and Luke will please old fans, and they all play key parts in the film, but this is not really their film. No, it belongs to the new faces, mainly Daisy Ridley as Rey, a scavenger from a backwater planet, John Boyega as Finn, a redeemed Storm Trooper, and Adam Driver as Kylo Ren, the dark force warrior. Oh, and of course BB-8, a small droid that carries an important message. Ridley and Boyega are instantly likeable in their parts, making for the kind of team up that we saw between, say, Han and Leia in the original trilogy, whilst Driver is furiously menacing as the villain of the piece, although his inability to control his emotions adds a depth of character to the part that wasn’t really seen in the role of Vader until the back end of the second film. The film serves as a way to hand over the reins to the new cast, who pick them up with ease, showing good promise for future entries into the saga.
Action set-pieces are plentiful, albeit imbued with a fair bit of familiarity. In fact the film, as a whole, follows the beats of the original film much in the same way that Superman Returns did with Donner’s original film. JJ, along with long-term writer Lawrence Kasdan, fill the run time with echoes of the 1977 film, but not in a manner that is detrimental to the story, but in a way that redefines the franchise for a new generation, making it clear that this is a sequel to the original trilogy, and not the prequels. Even the lightsabre fights resonate more with the style seen in Empire or Jedi, and not the acrobatic, superhuman antics of Phantom, Clones and Sith.
It is safe to say that this is, perhaps, the third best film in the franchise to date, right after Empire and Star Wars, and sets up the story for the next chapter well. If there is any flaw it is that the fan-service within, whilst looking great, does mean that it never really defines itself as a film in its own right. However, with this re-introduction out the way, we can look forward to a glorious new future for the franchise, and for the first time in over a decade I am excited to see where the films take me next.